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	<title>Comments on: Voice Overs That Will Leave You Breathless:      The Art of De-breathing Voice Overs</title>
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	<link>http://procommss.com/wordpress/debreathing-voice-overs</link>
	<description>Articles about Voiceovers and the Voice Over Industry</description>
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		<title>By: Chris Porter</title>
		<link>http://procommss.com/wordpress/debreathing-voice-overs/comment-page-1#comment-653</link>
		<dc:creator>Chris Porter</dc:creator>
		<pubDate>Mon, 23 Nov 2009 22:29:39 +0000</pubDate>
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		<description>Yeah, it makes you feel a bit like an audio surgeon at times, doesn&#039;t it? With today&#039;s tools you can do some amazing transformations and repair jobs when necessary...</description>
		<content:encoded><![CDATA[<p>Yeah, it makes you feel a bit like an audio surgeon at times, doesn&#8217;t it? With today&#8217;s tools you can do some amazing transformations and repair jobs when necessary&#8230;</p>
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		<title>By: Barry Evans</title>
		<link>http://procommss.com/wordpress/debreathing-voice-overs/comment-page-1#comment-652</link>
		<dc:creator>Barry Evans</dc:creator>
		<pubDate>Mon, 23 Nov 2009 21:17:14 +0000</pubDate>
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		<description>good article.  I&#039;ve been doing just that with DAW&#039;s since 1992 and before that with razor blades.  We used to record a full 7&quot; reel of just room tone to have as &#039;filler&#039; on vo&#039;s where we eliminated ALL breaths.  Time consuming but the vo ALWAYS stood out - and a lot of people agreed but they couldn&#039;t really tell you why it sounded better... it just did.

Now we&#039;re into &#039;creative crossfade editing&#039; as you cut out breaths - sometimes to nothing, sometimes to &#039;room tone&#039; or as we call it &#039;presence&#039;.

Add to that the art of eliminating mouth noise and pops or changing words by editing out sounds and letters to reconstruct what a talent says - and editing a voice over track has become an art-form in and of itself.</description>
		<content:encoded><![CDATA[<p>good article.  I&#8217;ve been doing just that with DAW&#8217;s since 1992 and before that with razor blades.  We used to record a full 7&#8243; reel of just room tone to have as &#8216;filler&#8217; on vo&#8217;s where we eliminated ALL breaths.  Time consuming but the vo ALWAYS stood out &#8211; and a lot of people agreed but they couldn&#8217;t really tell you why it sounded better&#8230; it just did.</p>
<p>Now we&#8217;re into &#8216;creative crossfade editing&#8217; as you cut out breaths &#8211; sometimes to nothing, sometimes to &#8216;room tone&#8217; or as we call it &#8216;presence&#8217;.</p>
<p>Add to that the art of eliminating mouth noise and pops or changing words by editing out sounds and letters to reconstruct what a talent says &#8211; and editing a voice over track has become an art-form in and of itself.</p>
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		<title>By: Mark Steele</title>
		<link>http://procommss.com/wordpress/debreathing-voice-overs/comment-page-1#comment-16</link>
		<dc:creator>Mark Steele</dc:creator>
		<pubDate>Sun, 05 Jul 2009 16:14:17 +0000</pubDate>
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		<description>Hmmm... very interesting blog. Going by that I think I&#039;m doing this right :) </description>
		<content:encoded><![CDATA[<p>Hmmm&#8230; very interesting blog. Going by that I think I&#8217;m doing this right <img src='http://procommss.com/wordpress/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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